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First Posted: 5/28/2013 The razzle dazzles, but the smoke never quite hides the mirrors in &#8220;Now You See Me,&#8221; a super-slick new magicians&#8217; heist picture that demonstrates, once again, how tough it is to make &#8220;magic&#8221; work as a movie subject.
A medium that is, by definition, a trick has a very hard time making the illusions real, realistic and anything anyone would be impressed by. Ask &#8220;Burt Wonderstone.&#8221; Ask &#8220;The Illusionist.&#8221;
A quartet of street hustlers and rising stars of the various corners of the magic trade are recruited by a mysterious hoodie-wearing figure for a series of epic stunts. Billing themselves as &#8220;The Four Horsemen,&#8221; misdirection man Atlas (Jesse Eisenberg) and his former assistant Henley (Isla Fisher), &#8220;mentalist&#8221; Merritt (Woody Harrelson) and card-sharp Jack (Dave Franco) proceed to star in magic &#8220;events&#8221; where they catch the imagination of the world, and their super-rich promoter (Michael Caine).
&#8220;Tonight,&#8221; they announce, &#8220;we&#8217;re going to rob a bank.&#8221; Which they do, a continent away, raining currency down on an audience that appreciates a bank finally getting its just deserts.
The impossible, physics-defying caper? Remember, Atlas has told us in the narration, &#8220;The closer you look, the less you see.&#8221;
Mark Ruffalo is the comically hyperventilating FBI agent always a step behind The Four Horsemen. And Morgan Freeman is the mysterious magic expert who may be helping the feds, explaining to them (and the audience) how tricks work. Or maybe he&#8217;s playing another game.
A lot is riding on momentum

‘Now You See Me’ a magic flick that’s missing its magic